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| Ancient Vietnam: Ports of Call |
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| Asia Society
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A video showing the objects in “Arts of Ancient Viet Nam: From River Plain to Open Sea,” narrated by the curator. "This exhibition brings together more than one hundred objects from ten museums across the diverse geographic expanse that is Viet Nam to illuminate the country’s long history of cultural and economic exchange... As long as two thousand years ago, a maritime trade route extended from southern China to Roman-controlled ports in the Persian Gulf and Red Sea, via ports in what is now northern Vietnam, Southeast Asia, Sri Lanka, India, Pakistan and Iran. As a result of this exchange, Vietnam developed unique art objects with connections to China, India, and other cultures of Southeast Asia… The exhibition focuses on four areas and ports of call: 1) Early Cultures: Dong Son and Sa Huynh; 2) Fu Nan in the Mekong River Delta; 3) Coastal Kingdoms of Champa; 4) Trade and Exchange in Hoi An.” This was a trade in luxury goods, where merchants had to follow the monsoon winds sailing east and west. See also: Arts of Ancient Viet Nam: From River Plain to Open Sea
Go to Museum Resource: https://asiasociety.org/video/ancient-viet-nam-ports-call-complete | |
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| Art of the Edo Period (1615–1868) |
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| The Metropolitan Museum of Art
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A brief overview of artistic production in Japan during the Edo or Tokugawa period. With 9 related artworks.
Go to Museum Resource: http://www.metmuseum.org/toah/hd/edop/hd_edop.htm | |
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| The Art of the Mughals after 1600 |
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| The Metropolitan Museum of Art
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A brief discussion of artistic production in the Mughal era after the death of Akbar (1542-1605). With 12 related artworks.
Go to Museum Resource: http://www.metmuseum.org/toah/hd/mugh_2/hd_mugh_2.htm | |
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| Art of the Pleasure Quarters and the Ukiyo-e Style |
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| The Metropolitan Museum of Art
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A lengthy discussion of the social developments in the Edo period that gave rise to literary and visual arts such as kabuki theater and ukiyo-e paintings and woodblock prints. With 5 related artworks.
Go to Museum Resource: http://www.metmuseum.org/toah/hd/plea/hd_plea.htm | |
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| The Artful Fabric of Collecting |
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| Jordan Schnitzner Museum of Art, University of Oregon
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Chinese textiles from the collection of Gertrude Bass Warner (1863-1951), who… was particularly drawn to silk textiles and the people who produced them, primarily the women in private households and commercial workshops. Techniques and patterns of weaving silk for Chinese robes are demonstrated on the site. It was only in the 17th century when the production of court orders began to overwhelm the imperial workshops that commercial workshops took over some of the production. In these commercial workshops, most of them located in the Jiangnan area, the center of China’s silk production, male weavers relegated women to the groundworks of silk production: the rearing of the silkworms and reeling the silk of the cocoons. Embroidery remained the domain of women. They were the master embroiderers who developed the art to its height in the Qing Dynasty (1644-1911). Their legacy can be admired in the textiles from the Warner collection.
Go to Museum Resource: https://glam.uoregon.edu/s/fabric-of-collecting/page/welcome | |
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